Vol. 36, No. 2, June 2019 Nonesuch, and his growing academic respectability to the centennial of his death in 1970. In the third period (45 not 50 years), “1970–2015: From Mass Markets to Emoji,” Patten looks at the “expansion and acceleration of Dickens’s reception” in a variety of fields, not only where matters of publication are concerned but in media and print culture as well, finding Dickens a “global brand.” His writings, Patten concludes, “have remained a living part of human culture for nearly two centuries.” Perhaps Charles Dickens and His Publishers may last as long. Duane DeVries

中文翻译：

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半独立：约翰·普洛茨自狄更斯以来的虚拟体验美学

卷。36, No. 2, June 2019 Nonesuch，以及他在 1970 年逝世一百周年日益增长的学术威望。在第三个时期（45 岁而不是 50 岁），“1970-2015：从大众市场到表情符号，”Patten 看着狄更斯在各个领域的“扩大和加速接受”，不仅涉及出版问题，还涉及媒体和印刷文化，发现狄更斯是一个“全球品牌”。帕滕总结道，他的著作“近两个世纪以来一直是人类文化的一个活生生的部分。” 也许查尔斯狄更斯和他的出版商可能会持续这么久。杜安·德弗里斯