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Semi-Detached: The Aesthetics of Virtual Experience since Dickens by John Plotz
Dickens Quarterly ( IF 0.7 ) Pub Date : 2019-01-01 , DOI: 10.1353/dqt.2019.0016
Jonathan Buckmaster

Vol. 36, No. 2, June 2019 Nonesuch, and his growing academic respectability to the centennial of his death in 1970. In the third period (45 not 50 years), “1970–2015: From Mass Markets to Emoji,” Patten looks at the “expansion and acceleration of Dickens’s reception” in a variety of fields, not only where matters of publication are concerned but in media and print culture as well, finding Dickens a “global brand.” His writings, Patten concludes, “have remained a living part of human culture for nearly two centuries.” Perhaps Charles Dickens and His Publishers may last as long. Duane DeVries

中文翻译:

半独立:约翰·普洛茨自狄更斯以来的虚拟体验美学

卷。36, No. 2, June 2019 Nonesuch,以及他在 1970 年逝世一百周年日益增长的学术威望。在第三个时期(45 岁而不是 50 岁),“1970-2015:从大众市场到表情符号,”Patten 看着狄更斯在各个领域的“扩大和加速接受”,不仅涉及出版问题,还涉及媒体和印刷文化,发现狄更斯是一个“全球品牌”。帕滕总结道,他的著作“近两个世纪以来一直是人类文化的一个活生生的部分。” 也许查尔斯狄更斯和他的出版商可能会持续这么久。杜安·德弗里斯
更新日期:2019-01-01
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