This essay explores Orhan Pamuk’s The Museum of Innocence, showing how the void the main character is terrified to face appears full-blown in the museum, where it signifies lack/desire as well as Lacanian love. Through its main character, whose ailments are eventually cured paradoxically through his shame, the novel navigates between fetishistic sexist rigidity and an equally fetishistic capitalist satiety. Pamuk’s Museum of Innocence is grounded in Turkish history and pays tribute to that rich history as it both spirals around and opens up a space that serves as the basis of erotic encounter. This reading brings out a sense of melancholic attachment to Istanbul.

中文翻译：

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黑色激情：在帕慕克的纯真博物馆中消除忧郁的痴迷

这篇文章探讨了奥尔罕·帕慕克 (Orhan Pamuk) 的《纯真博物馆》(The Museum of Innocence)，展示了主人公害怕面对的空虚如何在博物馆中充分展现，在那里它象征着缺乏/渴望以及拉康式的爱。通过它的主角，他的疾病最终通过他的羞耻自相矛盾地治愈，小说在拜物教的性别歧视僵化和同样拜物教的资本主义饱腹感之间导航。帕慕克的纯真博物馆以土耳其历史为基础，向这段丰富的历史致敬，因为它既旋转又打开了一个空间，作为色情相遇的基础。这种阅读使人们对伊斯坦布尔产生了一种忧郁的依恋感。