Abstract:Following Cyril Camus's argument that the category of "graphic novel" is defined by its particular use of literary chronotopes, the present paper reads Alan Moore and Dave Gibbons's Watchmen as a treasure trove of chronotopic arrangements. As a metafictional exploration of its own medium, Watchmen displays a plurality of chronotopes, which is not simply an effect of its postmodernism (Smethurst), but the inherent possibility of graphic narrative. Therefore, with the help of Watchmen, it is possible to both argue for an easy transfer of Bakhtinian theory to the field of comics studies, and highlight the ways in which the unique potential of the medium as such can help us repurpose the theory of the chronotope.

中文翻译：

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摩尔和吉本斯的守望者中的计时表

摘要：根据西里尔·加缪 (Cyril Camus) 的论点，即“图画小说”的范畴是由其对文学时空的特殊使用来定义的，本文将艾伦·摩尔和戴夫·吉本斯的《守望者》视为时空安排的宝库。作为对自身媒介的元小说探索，《守望者》展示了多种时间序列，这不仅仅是其后现代主义（Smethurst）的影响，而是图形叙事的内在可能性。因此，在守望者的帮助下，既可以主张将巴赫金理论轻松转移到漫画研究领域，也可以强调这种媒介的独特潜力可以帮助我们重新调整漫画理论的方式。计时表。