Abstract:In Jules Feiffer's comics narrative Tantrum (1979) Leo Quog screams himself back to the age of two in order to escape the responsibilities of adult life. Leo's regression provided a dramatic equivalent to the infantilization that contemporary commentators protested was a symptom of American narcissism, and Tantrum contained parodies of the consciousness movement and interest group politics, both read in the 1970s as key manifestations of the 'Me Decade.' Rather than see Tantrum's social critique as an attempt to uplift comics and have them esteemed as 'graphic novels' for adult readers, this article uses Feiffer's unpublished archive to show that his intentions were more complicated than that. Feiffer believed comics were a children's medium and he narrated Leo's odyssey in a sequence of images because the fusion of comic and novel reflected the confusion of adulthood and infancy in US society.

中文翻译：

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Jules Feiffer 在自恋十年结束时的发脾气

摘要：在Jules Feiffer 的漫画叙事Tantrum (1979) 中，Leo Quog 尖叫着回到两岁，以逃避成年生活的责任。利奥的回归戏剧性地等同于当代评论家所抗议的幼稚化是美国自恋的症状，而发脾气则包含对意识运动和利益集团政治的模仿，两者都在 1970 年代被解读为“我的十年”的主要表现形式。这篇文章并没有将 Tantrum 的社会批评视为提升漫画的尝试，并将其视为成人读者的“图画小说”，而是使用 Feiffer 未发表的档案来表明他的意图比这更复杂。Feiffer 相信漫画是儿童的媒介，他讲述了 Leo'