This essay considers philosophical and aesthetic issues at stake in dealing with ephemeral arts such as performed music and exhibited film. Taking inspiration from Hans Ulrich Gumbrecht’s writings on presence culture and meaning culture, it explores possible stances towards beautiful objects – stances that precisely do not treat them as texts to be explained – including extreme attitudes such as silence and reticence. Refusing to regret the ephemeral is proposed as a form of cultural optimism, one that was more common in earlier historical eras. Finally, in offering examples from German cinematic history, the essay also poses a question about attentiveness, about how professional deformations in academic culture can alter perception and engender forms of partial deafness and partial blindness.

中文翻译：

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俯瞰短暂

本文考虑与处理诸如表演音乐和电影放映等短暂艺术有关的哲学和美学问题。从汉斯·乌尔里希·冈布雷希特（Hans Ulrich Gumbrecht）关于在场文化和意义文化的著作中汲取灵感，它探索了对美丽物体的可能姿态-严格地不将其视为要解释的文字的姿态-包括诸如沉默和沉默的极端态度。提议暂时拒绝后悔是一种文化乐观主义，这是在较早的历史时代更为普遍的一种。最后，在提供德国电影史上的例子时，本文还提出了一个问题，即注意力，学术文化中的专业变形如何改变部分耳聋和部分失明的感知和产生形式。