Abstract:Based on research in the Jacques Derrida collection acquired by Princeton University in 2015, this article takes an expansive view of what is considered to be a manuscript through close readings of the material makeup of literary artifacts. In particular, Derrida’s copy of Hélène Cixous’s first book, interleaved with surprising documents, and a handful of small notes Cixous gave to Derrida, suggest that the two writers’ overlapping collections extend the scope of their friendship posthumously. These overlaps allow for the reader in the archive to contribute to the afterlives of these artifacts. The article invokes the ontological fluidity posited by new materialisms and new philologies to show how the holistic consideration of a literary artifact offers inroads into the divide between life and matter.

中文翻译：

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在雅克·德里达（Jacques Derrida）图书馆：档案转折后的手稿重要性

摘要：基于普林斯顿大学在2015年收购的雅克·德里达（Jacques Derrida）藏品中的研究，本文通过仔细阅读文学文物的材料构成，对被认为是手稿的观点进行了扩展。特别是，德里达的海伦·希克斯（HélèneCixous）第一本书的副本与令人惊讶的文档交错排列，以及希克斯给德里达的少量小注释，这表明两位作家的重叠藏品在死后扩大了友谊的范围。这些重叠使得档案中的读者可以为这些工件的来世做出贡献。本文引用了新的唯物主义和新的语言学所提出的本体论流动性，以表明对文学人工制品的整体考虑如何侵入生活与物质之间的鸿沟。