This article addresses legal procedures and the cinematography of film in inter-national criminal justice. The examples range across fiction, documentary, and trial film. The concern is with relations of authority and subjectification within the architecture of the courtroom and before the image. It considers procedures of projection, evidential confrontation and the destruction of the image in the era of the witness.

中文翻译：

---

通过国际刑事司法的摄影工作：法律程序和暴行图像

本文讨论国际刑事司法中的法律程序和电影摄影。这些例子涵盖了小说、纪录片和审判电影。关注的是法庭建筑内和图像之前的权威和主观化的关系。它考虑了证人时代的投射、证据对抗和图像破坏的程序。