This article focuses on contemporary queer television and examines its depiction of LGBTQ border crossings and migration. In recent years, a shift in the American and British televisual landscape has seen queer television drama veering away from a predominant focus on white, middle-class characters, towards an exploration of immigrant positionalities and the geopolitical relevance of state borders. However, these changes in media representation have not yet been granted sufficient academic attention. This article aims to fill this gap through analysing three relevant examples of US and UK queer television; Transparent (2014–2019), Years and Years (2019) and Orange is the New Black (2013–2019).

本文重点介绍当代酷儿电视，并考察其对LGBTQ过境和移民的描述。近年来，美国和英国电视画面的转变使奇怪的电视剧从对白人，中产阶级角色的主要关注转向寻找移民的位置和国家边界的地缘政治意义。但是，媒体代表的这些变化尚未得到足够的学术关注。本文旨在通过分析美国和英国同志电视的三个相关示例来填补这一空白。透明（2014–2019），年份和年份（2019）和橙色是新黑色（2013–2019）。