The first, theoretical part of this essay engages a recent publication by Maria Borio, dedicated to Italian poetry from the 1970s to the 1990s. Borio’s volume analyzes some methodological issues, and while she attempts to establish a poetical canon, she also deals with its correlation to a form of ethical and lyrical knowledge. The second part of the essay analyzes the ethical dimension of some choice poetic collections published between the late 1990s and the early 2000s; here, Brancati explores poetry by Antonella Anedda, Franco Buffoni, and Mario Benedetti, in which the need of the lyrical subject to foster a genuine representation of a given experience determines a reformulation of the author’s style.

本文的第一部分是理论部分，作者玛丽亚·鲍里奥（Maria Borio）最近发表了一篇有关1970年代至1990年代意大利诗歌的著作。博里奥（Borio）的著作分析了一些方法论问题，在尝试建立诗歌典范的同时，她还处理了它与某种道德和抒情知识的相关性。本文的第二部分分析了1990年代末至2000年代初出版的某些诗歌选集的伦理学维度。在这里，布兰卡蒂探索了安东妮拉·安妮达（Antonella Anedda），佛朗哥·布法尼（Franco Buffoni）和马里奥·贝内代蒂（Mario Benedetti）的诗歌，其中抒情主体对某种经验的真实表现的需求决定了作者风格的重新表述。