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Stereotypes as source of subcultural capital: Poland and the Polish in the auto-representation project of the Dutch rapper, Mr. Polska
Popular Music ( IF 0.7 ) Pub Date : 2018-09-12 , DOI: 10.1017/s0261143018000417
Ewa Dynarowicz

Over the past few years Mr. Polska, a Dutch rapper of Polish origin, has been enjoying a growing popularity in the Netherlands. Mr. Polska uses his Polish roots to position himself on the Dutch music scene and creates a persona that leans heavily on essentialised and exoticised stereotypes about Poland and the Polish. This article tries to answer two questions: what kind of image of Poland and the Poles is being created here? What purpose does it serve? It argues that negative stereotypes used in a multicultural environment acquire a new, positive meaning and play an important role in building the artist's image. The article further explores the post-subcultural character of Mr. Polska's project. It demonstrates that Mr. Polska's objective is not so much political engagement, as was usually the case with the traditional subcultural scene, but rather to confirm his authenticity and build his subcultural capital. Finally, Mr. Polska's use of a hip-hop aesthetic in combination with exoticised Polishness will be discussed.

中文翻译:

作为亚文化资本来源的刻板印象:荷兰说唱歌手 Polska 先生的自动代表项目中的波兰和波兰人

在过去的几年里,波兰裔荷兰说唱歌手 Polska 先生在荷兰越来越受欢迎。Polska 先生利用他的波兰血统将自己定位于荷兰音乐界,并创造了一个严重依赖于对波兰和波兰人的本质化和异国情调的刻板印象的角色。本文试图回答两个问题:这里正在塑造什么样的波兰和波兰人形象?它的用途是什么?它认为,在多元文化环境中使用的负面刻板印象获得了新的积极意义,并在塑造艺术家形象方面发挥着重要作用。文章进一步探讨了波尔斯卡先生项目的后亚文化特征。它表明 Polska 先生的目标与其说是政治参与,不如说是政治参与,就像传统亚文化场景通常的情况一样,而是为了确认他的真实性并建立他的亚文化资本。最后,将讨论 Polska 先生将嘻哈美学与异国情调的波兰风格相结合的运用。
更新日期:2018-09-12
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