ABSTRACT

In this essay, Mattis explores these competing political dimensions of Amy Schumer’ comedy. Specifically, she argues that her comedy and persone index a new popular form of resistance that circulates feminist parody and satire in a variety of mainstream media contexts. However, she also argues that Schumer’s work is premised on a limited feminist sisterhood as a result of her self-branding practices and performative racial myopia, both which short circuit radical, intersectional critique.

中文翻译：

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艾米舒默和流行（白人）女权主义自我品牌的局限性

摘要

在这篇文章中，马蒂斯探讨了艾米舒默喜剧的这些相互竞争的政治维度。具体来说，她认为她的喜剧和人物形象反映了一种新的流行抵抗形式，这种形式在各种主流媒体环境中传播女权主义模仿和讽刺。然而，她也辩称，舒默的作品是以有限的女权主义姐妹情谊为前提的，这是由于她的自我品牌实践和表演性的种族近视，两者都短路了激进的交叉批评。