AbstractThe article is written in the light of critical whiteness studies and the critical discourse regarding the political implications of literary works. It deals with Lorraine Hansberry’s play A Raisin in the Sun, which I position within the context of black American radical theatre. In particular, the article will show how Hansberry’s theatrical rhetoric challenges the public dynamics of racial separation and performs an ongoing role in destabilising the assumptions about the legitimacy of the reproduction of colonial differences.

中文翻译：

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二十世纪美国黑人戏剧中的种族和政治：洛林·汉斯伯里的《阳光下的葡萄干》

摘要 本文是根据批判性白人研究和关于文学作品政治含义的批判性话语而撰写的。它涉及洛林·汉斯伯里 (Lorraine Hansberry) 的戏剧《阳光下的葡萄干》，我将其置于美国黑人激进戏剧的背景下。特别是，本文将展示汉斯伯里的戏剧修辞如何挑战种族分离的公共动态，并在破坏关于殖民差异再现合法性的假设方面发挥持续作用。