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The Occupation of the Senses: The Prosthetic and Aesthetic of State Terror
The British Journal of Criminology ( IF 3.288 ) Pub Date : 2016-09-10 , DOI: 10.1093/bjc/azw066
Nadera Shalhoub-Kevorkian

Colonial and settler colonial dispossession is performed through various forms of violence, justified by cultural, historical, religious and national imperatives. In this paper, I define one of these forms of violence as the occupation of the senses, referring to the sensory technologies that manage bodies, language, sight, time and space in the colony. This paper analyses the parades, marches and festivals performed in the Palestinian city space of occupied East Jerusalem; shares the slogans, chants and graffiti used by Israeli civil, religious and nationalist entities; and explores what is lived, seen, heard, felt and smelled by the colonized to uncover the political violence implicated in the occupation of the senses.

中文翻译:

感官的占领:国家恐怖的假肢与美学

殖民者和定居者的殖民剥夺是通过各种形式的暴力进行的,以文化、历史、宗教和民族要求为理由。在本文中,我将其中一种暴力形式定义为对感官的占领,指的是在殖民地中管理身体、语言、视觉、时间和空间的感官技术。本文分析了在被占领的东耶路撒冷的巴勒斯坦城市空间中进行的游行、游行和节日活动;分享以色列民间、宗教和民族主义实体使用的口号、圣歌和涂鸦;并探索被殖民者生活、看到、听到、感觉到和闻到的东西,以揭示与感官占领有关的政治暴力。
更新日期:2016-09-10
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