This article makes the case for the utility of an aesthetic approach to the archaeological record, drawing on the philosophical work of Jacques Rancière on aesthetics and politics. The case of an archaeology of African slavery on Jesuit vineyards in colonial Peru is offered to explore nuances in power and the production of enslaved subjectivities that become visible through a consideration of aesthetic fields. Of particular interest are the aesthetics of administrative policy as materialized in space and the built environment and enslaved responses through aesthetic interventions. Rather than focusing on the specific meaning or hybridity involved in the creation of the material, a Rancièrean aesthetic approach considers how materials were potentially charged with multiple, sometimes contentious meanings through activation and engagement in the aesthetic experience.

中文翻译：

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美学考古学：纳斯卡耶稣会葡萄园的奴隶制和政治

本文借鉴雅克·朗西埃（Jacques Rancière）关于美学和政治的哲学著作，为考古记录的美学方法的效用提供了案例。以秘鲁殖民时期耶稣会葡萄园的非洲奴隶制考古为例，探讨权力的细微差别以及通过对美学领域的考虑而变得可见的被奴役主体的产生。特别令人感兴趣的是行政政策的美学，它体现在空间和建筑环境中，并通过美学干预来奴役反应。朗西埃的美学方法不是关注材料创造所涉及的特定意义或混合性，而是考虑材料如何潜在地被赋予多重、