478 Fee is uncompromising in her insistence that “identities and their related claims to land and power are formed out of and with social discourse” (89). Th is cuts both ways, so that if the symbol of the Crown “anchors the fi ction that regulates justice, property and governance” in Canada, it is also the case that Indigenous sovereignty “requires a kind of collective performance” (139). What unifi es the book’s readings is the repeated demonstration that an orientation to identities and traditions as learned, continuously adapted, and iteratively sustained can ground the respectful relationships necessary to a “multijuridical” Canada. Jennifer Henderson Carleton University

中文翻译：

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西南戏剧：让·图默 (Jean Toomer) 一部被遗忘的戏剧批判版

478 费毫不妥协地坚持“身份及其对土地和权力的相关要求是在社会话语之外形成的”（89）。这是双向的，所以如果加拿大的王室象征“锚定了规范正义、财产和治理的虚构”，那么土著主权“需要一种集体表现”也是如此（139）。本书阅读的统一之处在于反复证明，以习得、不断适应和反复维持的身份和传统为导向，可以奠定“多元司法”加拿大所必需的尊重关系的基础。詹妮弗·亨德森卡尔顿大学