How much is a theatrical design idea worth? Alternatively, how much should a professional theatre designer be paid? For many working today, standard minimum contract scales and “industry standards” help guide fee negotiations. In the United States, United Scenic Artists (USA) Local 829 was among the first bodies to align theatrical design with organized labor activism, and as such, its standard minimum contract for design is an object lesson in the value of artistic labor. These scales were developed nearly a century ago, and were the product of hard negotiation and legal action taken by US-American designers in the interwar period. Lee Simonson and Jo Mielziner are best remembered for their revolutionary use of space, scenery, and lighting, yet their professional advocacy within USA Local 829 provided the basis for today's standard design fees. Further, their defense of fair payment during the Depression and war years preserved scenic design as a form of labor analogous to other backstage crafts and trades.

中文翻译：

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捍卫标准合同：United Scenic Artists Local 829 中未衡量的工作、课程和设计专业精神

一个戏剧设计理念值多少钱？或者，专业剧院设计师的薪酬应该是多少？对于今天的许多工作人员来说，标准的最低合同规模和“行业标准”有助于指导费用谈判。在美国，United Scenic Artists (USA) Local 829 是最早将戏剧设计与有组织的劳工行动主义结合起来的机构之一，因此，其标准的最低设计合同是艺术劳动价值的实物课。这些秤是近一个世纪前开发的，是两次世界大战期间美籍设计师进行艰苦谈判和采取法律行动的产物。Lee Simonson 和 Jo Mielziner 因其对空间、风景和照明的革命性使用而被人们铭记，但他们在 USA Local 829 中的专业倡导为今天的发展奠定了基础。s 标准设计费。此外，他们在大萧条和战争年代为公平支付辩护，保留了风景设计作为一种类似于其他后台手工艺和行业的劳动形式。