Nuremberg, a documentary play by the East German playwright Rolf Schneider. In the East German production of his play, Schneider, like Brecht, found a way to satisfy SED censors while simultaneously allowing for a reading that criticized abuses of power. The production at the Burgtheater in Vienna, however, featured several changes that ultimately blunted its critical message for audiences. Nevertheless, because it provided a forum for victims and perpetrators to come together and share a meal and perform as equals (albeit outside the context of the play itself), the Austrian production made a convincing case for the importance of the theatre as an institution. This volume does the same.

中文翻译：

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克里奥尔语戏剧：新奥尔良战前的戏剧与社会朱利安·布劳恩（Juliane Braun）

纽伦堡，东德剧作家罗尔夫·施耐德的纪录片。在东德的戏剧作品中，施耐德（Schneider）和布雷希特（Brecht）一样，找到了一种方法来满足SED审查员的要求，同时允许进行批评权力滥用的阅读。然而，维也纳城堡剧院的作品却进行了几处改动，最​​终改变了其对观众的批判性信息。然而，由于它为受害者和犯罪者提供了一个聚会的场所，让他们聚在一起分享一顿饭并平等地表演（尽管不在戏剧本身的范围内），奥地利的演出为剧院作为一个机构的重要性提供了令人信服的理由。此卷的作用相同。