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“I Teach the Audience How to Watch My Shows”: An Interview with Kristina Wong
Theatre Journal ( IF 0.8 ) Pub Date : 2020-01-01 , DOI: 10.1353/tj.2020.0060
Sean Metzger , Kristina Wong

When I conceived of the Theatre Journal special issue on Minor Asias, artist Kristina Wong came immediately to mind because of work she had done in Uganda and her embodied political performance as an elected official in Los Angeles Then COVID-19 and the latest wave of Black Lives Matter protests delayed the interview, and in the interim Wong started the Auntie Sewing Squad, which sewed thousands of masks for communities in need In the wake of all these events, Kristina and I reconnected to discuss the links of politics and performance and the transversal relationships between different minoritarian communities © 2020 Johns Hopkins University Press All rights reserved

中文翻译:

“我教观众如何观看我的节目”:克里斯蒂娜·王(Kristina Wong)访谈

当我构思的小亚洲的戏剧杂志特刊,歌手克里斯蒂娜·黄立刻浮现在脑海,因为工作的她曾在乌干达完成,她体现的政治表现,在洛杉矶一个民选官员随后COVID-19以及最新潮的黑色“生活问题”的抗议活动推迟了采访,黄先生在此期间成立了缝纫缝制小队,为需要帮助的社区缝制了数千口罩。在所有这些事件之后,克里斯蒂娜和我重新联系,讨论了政治与绩效以及横向冲突的联系。不同少数民族社区之间的关系©2020 Johns Hopkins University Press版权所有
更新日期:2020-01-01
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