ABSTRACT Centrally distributed in the North of Shaanxi 陕西, at Dazu 大足 in Chongqing 重庆, and at Anyue 安岳 in Sichuan 四川, large scale grottoes from the Song dynasty – and the Buddhist statuary found therein – accurately reflect trends in Buddhist ideology of the period. First, filial piety receives greater emphasis. These images even suggest that filial piety is an important component of the practice of the bodhisattva (Skt. bodhisattva-caryā). Scondly, the notion of bodhisattva-caryā was again popularized with greater intensity (during the period). Third, the stone carvings in Dazu from the Northern and Southern Song Dynasties in which Buddhist, Daoist, and Confucian elements are group together reconstruct the then-popular syncretic approach these three traditions. Lastly, buddha traids found in several Northern Song dynasty cave shrines in Shaanxi suggest a continuation of a belief in rebirth in the Pure Land that began in the Tang period.

中文翻译：

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从宋代神社佛像看佛教思潮。

摘要在陕西北部，重庆重庆的大足大足和四川四川安岳的集中分布，宋代的大型石窟和其中发现的佛教雕像，准确地反映了当时佛教思想的发展趋势。首先，孝道得到了更大的重视。这些图像甚至表明，孝道是菩萨习俗的重要组成部分（Skt。bodhisattva-caryā）。其次，在此期间，菩萨菩萨​​的概念再次得到了更广泛的普及。第三，南北朝的大足石刻中，佛教，道教和儒家的元素共同构成了当时这三种传统的流行合一方法。最后，