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Female Glass Engravers in the Early Modern Dutch Republic
Renaissance Quarterly ( IF 1.2 ) Pub Date : 2020-03-16 , DOI: 10.1017/rqx.2019.492 Martine van Elk
Renaissance Quarterly ( IF 1.2 ) Pub Date : 2020-03-16 , DOI: 10.1017/rqx.2019.492 Martine van Elk
This essay explores glass engravings by Dutch authors Anna Roemers Visscher, Maria Tesselschade Roemers Visscher, and Anna Maria van Schurman. I place these engravings in their rich contemporary contexts, comparing them to other art forms that were the product of female pastime. Like embroidery, emblems, and alba amicorum , engraved glasses combined text and image, transforming each glass into an object that fulfilled key social and cultural functions. Above all, engraving glasses allowed women to forge new self-representations, specifically through their use of play to question binary oppositions and moral certainties.
中文翻译:
早期现代荷兰共和国的女性玻璃雕刻师
本文探讨荷兰作家 Anna Roemers Visscher、Maria Tesselschade Roemers Visscher 和 Anna Maria van Schurman 的玻璃版画。我将这些版画置于其丰富的当代语境中,将它们与其他女性消遣的艺术形式进行比较。像刺绣、徽章和白蜡树 ,雕刻眼镜结合了文字和图像,将每个玻璃转化为具有关键社会和文化功能的物体。最重要的是,雕刻眼镜让女性能够打造新的自我表现,特别是通过她们使用游戏来质疑二元对立和道德确定性。
更新日期:2020-03-16
中文翻译:
早期现代荷兰共和国的女性玻璃雕刻师
本文探讨荷兰作家 Anna Roemers Visscher、Maria Tesselschade Roemers Visscher 和 Anna Maria van Schurman 的玻璃版画。我将这些版画置于其丰富的当代语境中,将它们与其他女性消遣的艺术形式进行比较。像刺绣、徽章和