Abstract In the present article, I propose some initial topics for the typological-comparative study of semantic parallelism, which also serve as an analytical axis to study semantic parallelism in traditional kakataibo chants. These basic topics are the structure of the cotext, lexical and grammatical type of parallel units, type of semantic relations between parallel units, number of parallel units per pair of lines, and associated phenomena such as recurrent or fixed pairing and diphrasism. Following this initial proposal, I postulate that the cotext in Kakataibo semantic parallelism is a repeated morphosyntactic structure that does not exhibit ellipsis or increasing, the number of parallel units can be one to three slots and one pair is more productive, parallel units are related by semantic fields such as kinship terms and colors. Furthermore, I analyze the interaction of semantic parallelism in the continuous creation of lines with two other poetic forms, enjambment and repetition, and I postulate that semantic parallelism is a compositional strategy due to its high productivity for line composing.

中文翻译：

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传统片假名唱诗中的语义平行

摘要在本文中，我为语义并行性的类型比较研究提出了一些初步的主题，它们还可以作为分析传统kakataibo咏唱中的语义并行性的分析轴。这些基本主题包括共文本的结构，并行单元的词汇和语法类型，并行单元之间的语义关系类型，每对线的并行单元数以及相关的现象，例如反复出现的或固定的配对和释义。根据这个最初的建议，我假设在Kakataibo语义并行性中的共文本是一个重复的形态句法结构，不表现出省略号或增加，并行单元的数量可以是一到三个槽，而一对则更有生产力，并行单元之间的关系是语义字段，例如亲属关系术语和颜色。此外，