In this article Hanife Schulte discusses Thomas Ostermeier’s Ein Volksfeind, a German version of Henrik Ibsen’s An Enemy of the People that toured to the International Istanbul Theatre Festival in 2014. In borrowing Maria Shevtsova’s notion of the sociology of performance, Hanife Schulte offers a sociological examination of Ein Volksfeind’s Istanbul performances and demonstrates how the first anniversary of Turkey’s Gezi Park protests at the time of the festival influenced the performances. These protests, which began in 2013, were in resistance to the Turkish government’s urban development plan for Istanbul’s Taksim Park. In her examination of the dramaturgy and stage design of the production and its Turkish reception, Schulte argues that Ein Volksfeind’s political dramaturgy-in-progress allowed Ostermeier to adapt its touring performances in Istanbul and transform them into events in which the Turkish audiences became fellow performers and adaptors who reflected on the Gezi Park protests. She also suggests that Ostermeier showed solidarity with the Turkish people resisting political violence and oppression in tackling their local politics. Hanife Schulte has completed three years of doctoral research in Theatre and Performance Studies at Tufts University and is an alumna of the Mellon School of Theater and Performance Research at Harvard University, where she participated in the 2019 Session on Migrations.

中文翻译：

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Ostermeier 的 Ein Volksfeind 在土耳其盖兹公园抗议周年纪念日

在这篇文章中，Hanife Schulte 讨论了 Thomas Ostermeier 的艾因·沃尔克斯芬德, 亨利克易卜生的德语版本人民公敌2014 年参加了伊斯坦布尔国际戏剧节。Hanife Schulte 借用 Maria Shevtsova 的表演社会学概念，对Ein Volksfeind's 伊斯坦布尔表演，并展示了节日期间土耳其 Gezi 公园抗议一周年如何影响表演。这些抗议活动始于 2013 年，旨在抵制土耳其政府为伊斯坦布尔塔克西姆公园制定的城市发展计划。舒尔特在审视这部作品的戏剧和舞台设计以及土耳其的接受度时认为，Ein Volksfeind'正在进行中的政治戏剧使奥斯特迈尔能够调整其在伊斯坦布尔的巡回演出，并将其转变为土耳其观众成为表演者和适应者的活动，这些表演者反映了盖兹公园的抗议活动。她还表示，奥斯特迈尔与土耳其人民团结一致，抵制政治暴力和压迫，解决当地政治问题。Hanife Schulte 在塔夫茨大学完成了三年的戏剧和表演研究博士研究，是哈佛大学梅隆戏剧和表演研究学院的校友，她参加了 2019 年的移民会议。