This paper explores the distinctive character of esthetic experience in Immanuel Kant's Critique of Judgment and Jean-Luc Nancy's The Muses, by focusing on the relation between the sensory dimension of aesthetics (sense) and its communicable or linguistic meaning (sense). These dimensions of sense are irreducible to ordinary sensation and linguistic sense, giving aesthetic experience a distinctive role in elucidating the relation between the body and language. The continuity that links Kant and Nancy on aesthetic sense outlines a position that is distinguished from contemporary affect theory and from most current trends in aesthetics.

中文翻译：

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康德和南希的审美“感觉”

本文着眼于美学的感官维度（感觉）与其可传达的或语言意义（感觉）之间的关系，探讨了伊曼纽尔·康德（Immanuel Kant）的《审判批判》和让·卢克·南希（Jean-Luc Nancy）的《缪斯》（The Muses）中审美经验的独特性。感觉的这些维度是普通感觉和语言意义所无法比拟的，赋予审美经验在阐明身体与语言之间的关系方面的独特作用。将康德和南希联系起来的美学感的连续性勾勒出一个与现代情感理论和当前大多数美学趋势不同的立场。