The huge dramatic corpus of the Spanish Golden Age still poses problems of authorship in a large number of plays attributed, with doubts, to their creators. The example of the Madrid playwright Agustin Moreto (1618–1669) is no exception, since he has a significant number of plays for which there are uncertainties about their authorship. The works he published in his first two parts of plays, which were printed under his supervision, offer no authorial doubts. However, many of those published in part three, or as single works, have often been accompanied by numerous bibliographical discussions. Ten of the plays in his dramatic corpus generate mistrust in relation to the identity of the playwright who composed them. The aim of this article is to analyse these texts from different stylometric methodologies in order to verify, after a comparative analysis that includes 18 works of sure authorship by the playwright and 59 by different authors of the Golden Age, which of them are or are not by Agustin Moreto.

中文翻译：

---

Las comedias de dudosa atribución de Agustín Moreto: nuevas perspectivas estilométricas

西班牙黄金时代庞大的戏剧语料库仍然在大量被怀疑归咎于创作者的戏剧中提出了作者身份问题。马德里剧作家奥古斯丁·莫托（Agustin Moreto，1618-1669 年）的例子也不例外，因为他有大量剧本的作者不确定。他在前两部剧本中发表的作品是在他的监督下印刷的，作者没有怀疑。然而，在第三部分中发表的许多著作，或作为单独的作品，往往伴随着大量的书目讨论。在他的戏剧语料库中，有 10 部戏剧对创作这些戏剧的剧作家的身份产生了不信任。本文的目的是从不同的文体测量方法分析这些文本，以验证，