This study reveals the crucial role played by sacred geometry in the spatial structure of Velázquez's Las Meninas. It further explains how Velázquez, by means of geometric composition, achieved double centrality and why nearly half of those who look at his masterpiece perceive that the point of view is opposite the mirror. The spatial analysis of the floor plan confirms that, according to the law of reflection, the image in the mirror is coming from the large canvas. The correct floor plan follows from the Renaissance perspective system, and its understanding leads to further revelation of its universal use.

中文翻译：

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委拉斯开兹的 Las Meninas 的神圣几何学

这项研究揭示了神圣几何在委拉斯开兹的 Las Meninas 的空间结构中发挥的关键作用。它进一步解释了委拉斯开兹如何通过几何构图实现双重中心性，以及为什么近一半观看他的杰作的人认为视角是对着镜子的。平面图的空间分析证实，根据反射定律，镜子中的图像来自大画布。正确的平面图遵循文艺复兴透视系统，其理解导致其普遍用途的进一步揭示。