This article explores an ensemble of technical objects and biological objects in bio-art and proposes aesthetic values that the ensemble reveals. French philosopher Gilbert Simondon considered technical objects carefully in the 1950s. In his study, he was alert to an assimilation of technical objects to biological objects. In our time, the development of molecular biology and genetic engineering offers evidence that technical objects are closely linked to biological objects. The process of concretizing technical objects and biological objects is latent in works of bio-art, which therefore can realize aesthetic potentials that technical objects and biological objects imply.

中文翻译：

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生物艺术中对象的具体化、相关环境和审美化

本文探讨了生物艺术中的技术对象和生物对象的集合，并提出了该集合所揭示的美学价值。法国哲学家吉尔伯特西蒙东在 1950 年代仔细考虑了技术对象。在他的研究中，他对技术对象与生物对象的同化保持警惕。在我们这个时代，分子生物学和基因工程的发展提供了技术对象与生物对象密切相关的证据。将技术对象和生物对象具体化的过程潜伏在生物艺术作品中，因此可以实现技术对象和生物对象所蕴含的审美潜力。