This article proposes a new conception of art and presents a form of painting that exemplifies that concept. Considering the developments in twentieth- and 21st-century art, the author notes that art created after the conceptual period has failed so far to take account of the profound transformation that occurred within it in the twentieth century. This change consisted in the identification of art with reality, achieved by incorporating into art all significant spheres/objects of reality. One result has been the dominance of referential art following the conceptualist period. Referential artworks are split into object and reference. This impedes untrammeled creativity, which would otherwise promote the integration of diverse formal elements. This article proposes painting that exemplifies such artistic creation.

中文翻译：

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观念艺术与抽象：解构绘画

本文提出了一种新的艺术概念，并展示了一种体现该概念的绘画形式。考虑到 20 世纪和 21 世纪艺术的发展，作者指出，观念时期之后创作的艺术迄今未能考虑到 20 世纪发生在其中的深刻变革。这种变化在于艺术与现实的认同，通过将现实的所有重要领域/对象纳入艺术来实现。结果之一是在观念主义时期之后参考艺术占主导地位。参考艺术品分为对象和参考。这阻碍了不受约束的创造力，否则将促进不同形式元素的整合。这篇文章提出了体现这种艺术创作的绘画。