The author discusses SLANT, an improvisation-based project he coconceived, recorded and performed on tenor saxophone in duo with pianist and new music specialist Richard Valitutto. The project deconstructs sound worlds such as late nineteenth-century Romanticism, avant-garde/free jazz, microtonal spectralism and southeast European rural music. Drawing on George Lewis's systems of improvisative musicality, the article analyzes SLANT through the lens of sociomusical experience. The author shows how Afrological, Eurological and other systems of musicality participate together, manifesting in dialogical improvisative music-making that emerges from multiethnic and multicultural histories of improvised music.

中文翻译：

---

音乐逻辑的融合：SLANT 的记忆、历史和即兴音乐

作者讨论了 SLANT，这是一个基于即兴创作的项目，他与钢琴家和新音乐专家 Richard Valitutto 共同构思、录制和演奏男高音萨克斯管。该项目解构了 19 世纪晚期浪漫主义、前卫/自由爵士、微调谱和东南欧乡村音乐等声音世界。本文借鉴乔治·刘易斯的即兴音乐系统，从社会音乐经验的角度分析了 SLANT。作者展示了非洲学、欧洲学和其他音乐系统如何共同参与，体现在即兴音乐的多民族和多元文化历史中出现的对话即兴音乐制作。