In this article, Evelyn Ficarra considers her compositional practice, giving particular emphasis to the techniques and aesthetics of using time-lapse media and other temporal manipulations in interdisciplinary contexts. Foregrounding her collaboration with media artist Ian Winters on the large-scale interdisciplinary installation/performance Summer, Winter, Spring, Ficarra describes her attempt to model audio-temporal methods on techniques borrowed from the visual realm. She considers temporal compression, extension and layering as compositional tools, highlighting issues of scale, structure and experience, and suggests that radical temporal manipulations of material can serve to bridge referential and abstract sound worlds. Ficarra concludes with reflections on the meanings and poetic resonances of time-lapse media.

中文翻译：

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Sounding Time：跨学科合作中音频延时和时间分层的探索

在这篇文章中，Evelyn Ficarra 考虑了她的作曲实践，特别强调了在跨学科背景下使用延时媒体和其他时间处理的技巧和美学。Ficarra 将她与媒体艺术家伊恩·温特斯 (Ian Winters) 的大型跨学科装置/表演夏、冬、春合作放在了首位，她描述了她尝试利用从视觉领域借来的技术对音频-时间方法进行建模的尝试。她认为时间压缩、扩展和分层是组合工具，突出了尺度、结构和经验的问题，并建议对材料进行激进的时间处理可以连接参考和抽象的声音世界。Ficarra 最后反思了延时媒体的意义和诗意共鸣。