This text analyzes the process of composing and improvising the musical experiment Flow Vertical. This artistic exploration for chamber orchestra responds to a theory of biosignals, incorporating a putative sonic mapping of “inaudible” sound vibration of the author’s biofield as understood to be measured by an SCIO device. The interpretation and represent ation of measured frequencies influenced the creation of an “assemblage,” the system of interconnected human and nonhuman agents within the piece. The artist applied an original eight-week-long method of creation, investigating how this idea of body vibration and a specific yogic routine could aesthetically affect music.

中文翻译：

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Flow Vertical：受身体声音振动启发创作和即兴创作的原创音乐

本文分析了音乐实验Flow Vertical的作曲和即兴过程。这种对室内管弦乐队的艺术探索响应了生物信号理论，结合了作者生物场的“听不见”声音振动的假定声波映射，据了解由 SCIO 设备测量。测量频率的解释和表示影响了“组合”的创建，即作品中相互关联的人类和非人类代理系统。这位艺术家应用了一种为期八周的原创创作方法，研究了这种身体振动的想法和特定的瑜伽练习如何在美学上影响音乐。