20160 consists of 3 rolls of semitransparent paper, each sized 10cm × 22m, trisected from a found paper roll. Since January 2016 I have been inscribing the first roll with typewriters found on site. The first performative presentation took place in Ciudad de México on 9 February 2016. I’ve been tracing the world onto the roll—words and text found in poetry, philosophy and the world. In the act of writing, the world operates on the unveiled paper, impregnates it and so actualizes the score, and once the paper is rolled up again, its veiled transparency lets the world’s abundance manifested on the paper mingle into ever-new possible compounds. 20170 consists of approximately 400 sheets of old found paper. I’ve been inscribing the paper since April 2017. Wandering through the world and dwelling on their intrinsic realities, I insert the paper in the typewriter and find myself writing. Writing the score coincides with its actualization and allows for ever-new instances. There is no other time than that of the enunciation and every text is eternally written here and now.

中文翻译：

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音速评论音频系列第29卷

20160由三卷半透明纸组成，每卷尺寸为10cm×22m，从发现的纸卷中一分为三。自2016年1月以来，我一直在现场写着第一卷打字机。第一次演出是在2016年2月9日在墨西哥城举行的。我一直在追踪世界，包括诗歌，哲学和世界中发现的文字和文字。在写作过程中，世界在揭幕的纸上进行操作，对其进行浸渍并实现分数。一旦纸再次被卷起，其面纱般的透明性便使纸上表现出来的世界的丰富度与各种可能的新成分融为一体。20170包含约400张旧发现的纸张。自2017年4月以来，我一直在撰写该论文。徘徊在世界各地，并沉迷于他们的内在现实，我将纸张插入打字机，发现自己正在写作。编写分数与其实现相吻合，并且允许不断更新的实例。除了口头表达的时间，没有其他时间了，每个文本在这里和现在都被永恒地书写。