This text presents a compact historical survey of musical borrowing and sound appropriation from medieval chant through the latest digital experiments outside popular music involving extensive use of sampling. It then describes two artistic research projects consisting of a series of pieces that digitally reimagine selected works from the classical music repertoire, including thoughts about the contemporary relevance of giving new life to classical music through the perspective of new media.

中文翻译：

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新电声音乐作为作​​曲工具的声音挪用和音乐借用

本文通过涉及广泛使用采样的流行音乐之外的最新数字实验，对中世纪圣歌中的音乐借用和声音挪用进行了紧凑的历史调查。然后，它描述了两个艺术研究项目，由一系列作品组成，这些作品以数字方式重新想象了古典音乐曲目中的精选作品，包括对通过新媒体的视角赋予古典音乐新生命的当代相关性的思考。