20160 consists of 3 rolls of semitransparent paper, each sized 10 cm × 22 m, trisected from a found paper roll. Since January 2016 I have been inscribing the first roll with typewriters found on site. The first performative presentation took place in Ciudad de México on 9 February 2016. I’ve been tracing the world onto the roll—words and text found in poetry, philosophy and the world. In the act of writing, the world operates on the unveiled paper, impregnates it and so actualizes the score, and once the paper is rolled up again, its veiled transparency lets the world’s abundance manifested on the paper mingle into ever-new possible compounds. 20170 consists of approximately 400 sheets of old found paper. I’ve been inscribing the paper since April 2017. Wandering through the world and dwelling on their intrinsic realities, I insert the paper in the typewriter and find myself writing. Writing the score coincides with its actualization and allows for ever-new instances. There is no other time than that of the enunciation and every text is eternally written here and now.

中文翻译：

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索尼克评论：音频系列第 29 卷

20160 由 3 卷半透明纸组成，每卷大小为 10 cm × 22 m，从发现的纸卷上切开。自 2016 年 1 月以来，我一直在用现场找到的打字机在第一卷上刻字。第一次表演性演讲于 2016 年 2 月 9 日在墨西哥城举行。我一直在追踪世界——诗歌、哲学和世界中的文字和文字。在写作的过程中，世界在揭开的纸上运作，浸渍它，从而实现乐谱，一旦纸再次卷起，其隐蔽的透明性让纸上展现的世界丰富性混合成新的可能的化合物。20170 包含大约 400 张旧纸。自 2017 年 4 月以来，我一直在为这篇论文题写。 漫游世界，沉溺于它们的内在现实，我把纸插入打字机，发现自己在写。编写乐谱与其实现相吻合，并允许不断出现新的实例。没有其他时间，只有宣读的时间，每一个文本都永远写在此时此地。