In this article the author explores the idea that, owing to their shared three-dimensional nature, holophons and virtual holograms are well suited as mediums for visual music composition. This union is ripe with creative opportunity and fraught with challenges in the areas of aesthetics and technical implementation. Squarely situated upon the bleeding edge of phenomenological research and creative practice, this novel medium is within reach. Here, one methodological pipeline is delineated that employs the convergence of holophony, virtual holography and supercomputing toward the creation of visual music compositions intended for head-mounted displays or large-scale 3D/360-degree projection screens and high-density loudspeaker arrays.

中文翻译：

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探索视觉音乐创作中全息和全息的联系

在这篇文章中，作者探讨了一个想法，即由于它们共享的 3D 性质，全息器和虚拟全息图非常适合作为视觉音乐创作的媒介。这个联盟充满了创造性的机会，在美学和技术实施领域充满了挑战。正处于现象学研究和创造性实践的前沿，这种新颖的媒介触手可及。在这里，描述了一种方法论管道，它采用全息、虚拟全息和超级计算的融合来创建用于头戴式显示器或大型 3D/360 度投影屏幕和高密度扬声器阵列的视觉音乐作品。