“out” bisexual celebrity figure “Cumbio.” These women explicitly invoke Peronism by identification with working-class groups and the new social/ethnic fabric that now characterizes Argentina and are also implicitly framed by Evita’s legacy and image. The volume ends with recent president Cristina Kirchner and the clever ways she has used Evita’s template (in some cases by literally covering buildings with murals of her face) as she sought to reverse previous neo-liberal policies and renationalize many of the country’s industries. The book is remarkable for its contribution to performance and theater and its female-centered topics and theoretical frames. It is also extensively researched with detailed notes and background material.

中文翻译：

---

剧院魅力。蒂诺-特诺（Tiun-tenor）回忆（…1973-2005），吉列尔莫·乔克拉·莫拉莱斯（Guillermo Jorquera Morales）

“出”是双性恋名人人物“ Cumbio”。这些妇女通过认同工人阶级和现在代表阿根廷的新的社会/民族结构，明确地援引了秘鲁主义，并隐含了埃维塔的遗产和形象。该卷以最近的总统克里斯蒂娜·基希纳（Cristina Kirchner）以及她使用Evita的模板（在某些情况下，用字面上的壁画覆盖建筑物）的巧妙方式结尾时，她试图扭转以前的新自由主义政策并使该国许多行业重新国有化。这本书以其对表演和戏剧的贡献以及以女性为中心的主题和理论框架而著称。还对它进行了详尽的研究，包括详细的说明和背景材料。