This article analyzes the relationship between cultura ciudadana—the social-engagement program of Colombian sociologist and former mayor of Bogotá Antanas Mockus—and the artistic practice of Bogotá’s Mapa Teatro, particularly those works that focus on the demolished barrio known as El Cartucho. Particular attention is paid to how the politician and the artists share an understanding of citizenship/belonging that emphasizes the repertoires of behavior embedded in shared social space. The analysis of these behavioral histories builds on the valuable work of those who have written on Mapa Teatro, such as Ileana Diéguez, Karen Till, Doreen Massey, and Vicky Unruh, while shedding new light on how Mapa Teatro’s dramaturgy engaged with Mockus’ cultural politics to challenge the stigmatization and marginalization of a community through an emphasis on the relationship between histories of behavior in social space and the construction of cultural citizenship.

中文翻译：

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剧院地图，模型和做事方式

本文分析了哥伦比亚社会学家，波哥大安塔纳斯·莫克斯（BogotáAntanas Mockus）的前市长的社会参与计划Ciudana文化与波哥大Mapa Teatro的艺术实践之间的关系，特别是那些侧重于被拆除的Barrio的作品，即El Cartucho。特别注意政治家和艺术家如何分享对公民身份/归属感的理解，强调对共享社会空间中行为的保留。对这些行为历史的分析建立在在Mapa Teatro上写过书的人的宝贵工作之上，例如IleanaDiéguez，Karen Till，Doreen Massey和Vicky Unruh，