The following interview took place at the Grupo Pregones headquarters in the South Bronx, on the 20th of October, 2015, with Rosalba Rolón, Alvan Colón Lespier, and Jorge B. Merced, Associate Artistic Directors. What follows is an in-depth view of the process that took the iconic group from the conventions of the popular (Latin American) New Theatre movement, at the end of the 1970s, to a multi-faceted theatrical enterprise enhanced by the recent historical merger with the late pioneer Miriam Colón’s Puerto Rican Traveling Theater (PRTT). This is undoubtedly history in the making for a future recollection of Latina/o’s contribution to the New York stages and a memorable opportunity to delve into what it takes to be a successful artist in these difficult times.1 My gratitude goes to them for their generous time and knowledge.

中文翻译：

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拉丁节拍上的美国剧院：在纽约舞台上采访38年后的经历

以下采访于2015年10月20日在南布朗克斯的Grupo Pregones总部进行，采访了RosalbaRolón，AlvanColónLespier和副艺术总监Jorge B. Merced。接下来是对这一过程的深入了解，该过程使该标志性团体从1970年代末流行的（拉丁美洲）新剧院运动的惯例发展为通过最近的历史合并而发展起来的多层面的戏剧企业与已故先驱MiriamColón的波多黎各旅行剧院（PRTT）合作。毫无疑问，这是历史上对拉蒂娜/ o在纽约舞台上所做贡献的未来回忆，以及一个难忘的机会，来探讨在这些困难时期成为一名成功艺术家的必要条件1我感谢他们的慷慨解囊。时间和知识。