This article explores the patronage relationship between Harriet Grote and Jenny Lind during the latter's visits to London in 1847, 1848 and 1849. Aiming to highlight the often neglected affective dimensions of individual music patronage in this period, it discusses Grote's activities as Lind's agent and chaperone as well as her efforts to support Lind in more personal ways and to create a home-like environment for her. It is argued that Grote's varied roles as Lind's patron should be interpreted in the context of an intense personal interest in the singer, and are characterized by a complex combination of public and private types of support. These, in turn, correspond to public and private music practice as settings for patronage, revealing the interdependence of these two modes of music-making in the period, especially in the case of elite music culture.

中文翻译：

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Jenny Lind、Harriet Grote 和早期维多利亚时代伦敦的精英音乐赞助

本文探讨了哈丽特·格罗特和珍妮·林德在 1847 年、1848 年和 1849 年访问伦敦期间的赞助关系。旨在突出这一时期个人音乐赞助经常被忽视的情感维度，讨论了格罗特作为林德的代理人和伴侣的活动以及她以更个人化的方式支持 Lind 并为她创造一个像家一样的环境的努力。有人认为，格罗特作为林德的赞助人的不同角色应该在对歌手的强烈个人兴趣的背景下进行解释，并以公共和私人支持类型的复杂组合为特征。这些反过来又对应于作为赞助设置的公共和私人音乐实践，揭示了这两种音乐制作模式在这一时期的相互依存关系，