Abstract With Joseph Brodsky’s poem “To Urania” as a case study, this article argues that a cognitive stylistic approach offers a new way into exploring literary representations of the experience of displacement. Drawing on the notion of the embodied mind in Conceptual Metaphor Theory, it presents a close reading of the poem’s portrayal of exile as a “felt” absence. The tension between the immediacy of embodied experience and what lies beyond its grasp is investigated with a particular consideration of enactivism and the dynamics of reading. Metaphor is seen as a tool for enacting vicarious experiences, but also as a means of conveying the difficulty of representing an experience of displacement. The analysis thus focuses on the poem’s strategies for negotiating the discrepancy between the past and the present. These include expressions viewing memory as a space, the juxtaposition of the personal and the generic, and projected movement.

中文翻译：

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关于“身体的缺席”：约瑟夫·布罗德斯基（Joseph Brodsky）的《致乌拉尼亚》中流亡的具体经历

摘要本文以约瑟夫·布罗德斯基（Joseph Brodsky）的诗《致乌拉尼亚（To Urania）》为个案研究，认为认知文体学方法为探索流离失所经历的文学表现形式提供了新途径。它借鉴了概念隐喻理论中的内在思想概念，对这首诗对流放的描绘作了“毛毡”的缺席进行了仔细的解读。即时体验的即时性与超出其掌握范围之间的张力，是通过特别考虑Envitism和阅读动态来研究的。隐喻被视为制定替代经历的工具，但也被视为表达流离失所经历的难度的一种手段。因此，分析的重点是诗歌的策略，以协商过去与现在之间的差异。