The pioneering Ossian exhibitions held in Paris and Hamburg in 1974 focused on the response of northern European artists to James Macpherson's work. A broader perspective is considered here, which includes recent research on the Ossianic dimension of both the English landscape painter J. M. W. Turner and his close contemporary the Italian sculptor and graphic artist Luigi Zandomeneghi. A fresh view is taken of the importance to southern European artists of Cesarotti's translation of Ossian into Italian in 1763, and of the sustained influence in Italy of the image of Ossian attributed to the eighteenth-century Scottish artist Alexander Runciman.

中文翻译：

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波斯语和视觉艺术：错放和重新发现

1974年在巴黎和汉堡举行的开创性的奥西亚展览集中于北欧艺术家对詹姆斯·麦克弗森（James Macpherson）作品的反应。本文考虑了更广阔的视野，其中包括对英国风景画家JMW Turner和他的近代意大利雕塑家兼图形艺术家Luigi Zandomeneghi的Ossianic维度的最新研究。人们重新审视了切萨罗蒂（Cesarotti）在1763年将欧文翻译成意大利语对南欧艺术家的重要性，以及十八世纪苏格兰艺术家亚历山大·伦奇曼（Alexander Runciman）所拥有的欧西亚形象在意大利的持续影响。