This article analyses the manner in which Diderot's novel La Religieuse (1796) has been interpreted in book illustration. There has long been an assumption that Jean-Francois Le Barbier was the first illustrator of La Religieuse, whereas this article posits that a number of significant artists preceded him: an anonymous artist (1796), the designer P. J. Challiou (1797) and another unknown illustrator (1797). This analytical investigation is followed by an overview of viewer–voyeur trends in the subsequent illustration of La Religieuse, suggesting that core representation dilemmas, together with the interpretative strategies adopted, vary remarkably little across more than two centuries of reception and illustration.

中文翻译：

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幽灵般的目光：狄德罗特的《 La Religieuse》插图中的观看者/偷窥狂动力学

本文分析了狄德罗特的小说《 La Religieuse（1796）》在书籍插图中的诠释方式。长期以来，人们一直认为让·弗朗索瓦·勒·巴比耶（Jean-Francois Le Barbier）是La Religieuse的第一位插画家，而本文认为，在他之前有许多重要的艺术家：一位匿名艺术家（1796年），设计师PJ Challiou（1797年）和另一位不知名的艺术家插图画家（1797）。在此分析性研究之后，随后的La Religieuse插图中概述了观察者-旅行者的趋势，这表明在两个多世纪的接待和展示中，核心代表的困境以及所采用的解释策略变化不大。