Abstract:The Irish historian J. J. Lee describes the role played by Irish America in the 1916 Easter Rising in the following succinct terms: "No New York, no America, no Easter Rising—simple as that." This pivotal role played by "Ireland's exiled children" in the events of 1916 and the longer revolutionary period seems quite clear, but far less clear is Joyce's response in his writing to the transatlantic phenomenon. The essay aims to explore and to clarify certain aspects of that response, focusing on Finnegans Wake and those aspects of Shaun's character in particular that closely resemble the transatlantic stereotype of the "Fighting Irish." It argues that this stereotype—both pejorative racial caricature and affirmative nationalist self-image—is key to Joyce's representation of Irish-American influence on Irish politics in the revolutionary period.

中文翻译：

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Sots, Songs, and Stereotypes: 1916, The Fighting Irish, and Irish-American Nationalism in Finnegans Wake

摘要：爱尔兰历史学家 JJ Lee 用以下简洁的术语描述了爱尔兰美国在 1916 年复活节起义中所扮演的角色：“没有纽约，没有美国，没有复活节起义——就这么简单。” “爱尔兰的流亡儿童”在 1916 年事件和更长的革命时期所扮演的关键角色似乎很清楚，但乔伊斯在他的著作中对跨大西洋现象的回应则远不那么清楚。这篇文章旨在探索和澄清这种反应的某些方面，重点关注 Finnegans Wake 和肖恩性格的那些方面，特别是与“爱尔兰人的战斗”的跨大西洋刻板印象非常相似的方面。它认为这种刻板印象——包括贬义的种族漫画和积极的民族主义自我形象——是乔伊斯的关键”