This article argues for the use of the queer kenotic theology of Marcella Althaus-Reid as a theological framework for analysing two stories of ambivalence and risk emerging from an ecclesial practice committed to hospitality. Following Natalie Wigg-Stevenson in envisioning theology not as proclamation but as conversation, the article is an example of what theology can look like when ethnographic material is juxtaposed with systematic theology. The empirical material is created using ethnography as a research strategy in the ecclesial practice of the Lutheran church of Our Lady, Trondheim, Norway. In 2007, this church reopened as an ‘open church’ for people who live with different kinds of marginalization. As the sacred medieval space encounters the messy and chaotic lives of people, a powerful displacement of space, practices and bodies occur. The article concludes by discussing how the empirical material feeds back to kenotic theology and queer theology.

中文翻译：

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酷儿病的教会学？特隆赫姆圣母院的风险和矛盾心理，根据玛塞拉·阿尔特豪斯-里德 (Marcella Althaus-Reid) 的隐匿症的酷儿神学

本文主张使用 Marcella Althaus-Reid 的 queer kenotic 神学作为神学框架来分析两个故事，这两个故事来自致力于好客的教会实践。跟随娜塔莉·威格-史蒂文森 (Natalie Wigg-Stevenson) 将神学设想为不是宣讲而是对话，这篇文章是一个例子，说明当民族志材料与系统神学并列时，神学会是什么样子。经验材料是使用民族志作为研究策略在挪威特隆赫姆圣母路德教会的教会实践中创建的。2007 年，这座教堂作为“开放教堂”重新开放，供生活在各种边缘化环境中的人们使用。当神圣的中世纪空间遇到人们杂乱无章的生活时，空间、实践和身体发生了强大的位移。