The 1597 inventory of manuscripts of Philip II of Spain lists, among its many entries, a music book opening with a six-voice motet Salve Jesu by Pierre de la Rue. Unfortunately this manuscript no longer exists, and as the motet could not be located in any of the Alamire manuscripts or in other sources containing La Rue’s works, it figures as a lost composition in lists of La Rue’s works. This article argues that the motet may not be lost, but is rather preserved as an anonymous work in one of the manuscripts of Johannes Heugel. The six-voice Salve Jhesu in manuscript 91 of the former State Library at Kassel, which sets part of a well-known text that was long attributed to Bernard of Clairvaux, is clearly a work from the early 16th century and shows interesting parallels with La Rue’s six-voice motet Pater de caelis.

中文翻译：

---

Salves Jhesu summe bone：Pierre de la Rue的回收罐子？

1597年西班牙菲利普二世手稿目录中列出了许多乐谱，其中包括一首音乐书，其中有Pierre de la Rue的六声主唱Salve Jesu。不幸的是，该手稿已不存在，并且由于无法在任何Alamire手稿中或其他包含La Rue作品的资料中找到该主题，因此在La Rue的作品清单中将其视为丢失的作品。这篇文章认为，可能不会丢掉这个金瓶梅，而是作为一本匿名的作品保存在约翰内斯·休格尔的一本手稿中。卡塞尔前州立图书馆手稿91中的六声Salve Jhesu，是著名文本的一部分，该文本长期归功于Clairvaux的Bernard，显然是16世纪初期的作品，与La相似。 Rue的六声主唱Pater de caelis。