From Les Fetes d’Hebe and Dardanus in 1739 to the revival of Hippolyte et Aricie in 1778, Rameau and his music were the target of satirical engravers and designers. While some of the artists remain anonymous, others include such famous names as Louis Carrogis dit Carmontelle, Charles-Nicolas Cochin II the younger, and Marin Fessard the younger, after Pierre-Louis Durand and Charles-Nicolas Cochin II the younger. This article gives a chronological panorama of the engravings, analysing their iconography in detail and identifying their sources, motives and polemical context. The images are examined in conjunction with a group of drawings by Charles-Germain de Saint-Aubin (1721–86) in his Livre de caricatures tant bonnes que mauvaises, dating from 1740 to 1775 and preserved in the Rothschild collection at Waddesdon Manor, England. Those drawings relating to Rameau in this collection, still almost entirely unknown to musicologists, will be discussed in relation to a recent Voltaire Foundation publication devoted to them in 2012.

中文翻译：

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拉美及其作品的讽刺肖像和视觉讽刺画

从1739年的Les Fetes d'Hebe和Dardanus到1778年的Hippolyte et Aricie复兴，Rameau和他的音乐成为讽刺雕刻师和设计师的目标。尽管有些艺术家保持匿名，但其他艺术家的名字还包括路易斯·卡罗吉斯·迪·卡蒙泰勒（Louis Carrogis dit Carmontelle），年轻的查尔斯·尼古拉斯·科钦二世（Charles-Nicolas Cochin II）和年轻的马林·费萨德（Marin Fessard），紧随皮埃尔·路易斯·杜兰德和年轻的查尔斯·尼古拉斯·科钦二世。本文提供了版画的时间顺序全景图，详细分析了它们的肖像，并确定了它们的来源，动机和辩论背景。图片由Charles-Germain de Saint-Aubin（1721-86）在其画作中创作，并于1740年至1775年间保存在英格兰Waddesdon庄园的Rothschild藏品中，并与一组图纸一起进行了检查。 。