This article argues that, in 1QHa 11:20–27; 20:27–39 and Sir 33:7–15, the use of allusions to humanity’s creation from dust in Genesis 2–3 and to its formation from clay in Isa 29:16; 45:9; Jer 18:4, 6 represents a conscious exegetical process in which the Genesis and prophetic traditions were read and used in light of one another. Although originating within different social environments—one sectarian and the other as part of a more mainstream scribal context—both make use of the same two scriptural allusions and evince a similar pattern of interpretive reflection. The goal of the study is to demonstrate that the allusions function together, in a compounded manner, to present (1) a composite portrait of God as creator and determiner of all human outcomes, and (2) a corresponding composite portrait of humanity in its universal mortality and complete subjection to the deterministic will of God.

中文翻译：

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“取自尘土，形成于泥土”：1QHodayota 11:20-37 中的复合典故与释经；20:27-39 和本西拉 33:7-15

本文认为，在 1QHa 11:20-27；20:27-39 和爵士 33:7-15，在创世记 2-3 中使用了对人类从尘土创造的典故，以及在赛 29:16 中用粘土形成人类的典故；45:9; 耶 18:4, 6 代表了一个有意识的解经过程，在这个过程中，创世记和预言的传统被阅读并相互参照。尽管起源于不同的社会环境——一个是宗派，另一个是更主流的抄写语境的一部分——两者都使用相同的两个圣经典故，并表现出类似的解释性反思模式。该研究的目的是证明这些典故以复合方式共同发挥作用，以呈现（1）上帝作为所有人类结果的创造者和决定者的综合肖像，