This article examines the practice of the Danish K-pop (Korean pop) cover dance crew CODE9 as an example of the rapid cultural exchange on the Internet that reshapes the diffusion of dance styles and ideas. CODE9 demonstrates K-pop as a “migratory dance practice,” forming a transnational dancing community with modern technology at its center. By adapting and embodying K-pop, CODE9 creates a “Thirdspace” in between reality and fantasy, between being oneself and being a Korean idol. With CODE9, K-pop moves in and out of Denmark, through the practice of watching, learning, performing, and then circulating dance online.

中文翻译：

---

从首尔到哥本哈根：迁移 K-Pop 封面舞蹈和在社交媒体上表演散居青年

本文考察了丹麦 K-pop（韩国流行音乐）封面舞蹈团 CODE9 的实践，作为互联网上快速文化交流重塑舞蹈风格和思想传播的一个例子。CODE9 将 K-pop 展示为一种“迁移的舞蹈实践”，形成了一个以现代技术为中心的跨国舞蹈社区。通过改编和体现 K-pop，CODE9 在现实与幻想之间，在做自己和做韩国偶像之间创造了一个“第三空间”。借助 CODE9，K-pop 通过观看、学习、表演和在线传播舞蹈的做法进出丹麦。