Between 1958 and 1961, Jerome Robbins's Ballets: U.S.A. company toured to European arts festivals with a repertory of new and existing works, most of which remain in performance more than six decades later. Cold War political and artistic imperatives intersected in choreography that circulated visions of “American” innovation and youthful vitality, danced to an eclectic range of scores by a mixed-race cast. Archival documentation of the funding process reveals discussions about aesthetic priorities and the choreographer's responsibility to the US government. Analysis of press coverage of the performances also considers the extent to which diplomatic objectives were achieved.

中文翻译：

---

“将美国的故事走向世界”：参观杰罗姆·罗宾斯的芭蕾舞团：冷战时期的美国

1958 年至 1961 年间，杰罗姆·罗宾斯的芭蕾舞团：美国公司带着一系列新的和现有的作品参观了欧洲艺术节，其中大部分作品在 6 多年后仍在演出。冷战时期的政治和艺术要求在编舞中相互交叉，传播了“美国”创新和年轻活力的愿景，并由混血演员在不拘一格的乐谱中翩翩起舞。资助过程的档案文件揭示了关于审美优先事项和编舞者对美国政府的责任的讨论。对表演的新闻报道的分析还考虑了外交目标的实现程度。