This article considers the ethico-aesthetic potential of British choreographic practices that respond to questions raised by the current sociopolitical moment by staging im/possibilities and dis/orientation and by envisioning alternative understandings of the present. It embraces Karen Barad's new materialist onto-epistemology as an inspiring framework to discuss the significance of choreography that troubles accepted patterns of relationality and engages in a creative-critical remapping of experience.

中文翻译：

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不可能的编舞：当前英国舞蹈实践中的衍射过程和伦理纠葛

本文考虑了英国舞蹈实践的伦理美学潜力，这些实践通过展示不可能/可能性和迷失/方向以及设想对当前的替代理解来回应当前社会政治时刻提出的问题。它包含凯伦巴拉德的新唯物主义本体认识论作为一个鼓舞人心的框架来讨论编排的重要性，它扰乱了公认的关系模式，并参与了对经验的创造性批判性重新映射。