Queer theology has not paid enough attention to queer sex, how queers understand sexual intimate relationships outside hetero/homonormative frameworks, and more importantly, what notions of relationality with Otherness undergird those experiences and practices. This contribution exemplifies a trajectory of visualization—a theoretically based approach to reading art—where the practices of barebacking and cruising in queer subcultures trigger a reading of Caravaggio’s Conversion on the Way the Damascus that, in turn, reads the biblical text (Acts 9) in terms of radical hospitality to Otherness. Barebacking and cruising as sexual practices documented in queer subcultures offer a framework to understand Caravaggio’s artwork as a theological source and as an interpretation of the biblical text.

中文翻译：

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卡拉瓦乔是酷儿神学家吗？保罗在大马士革的路上的转换

同志神学并没有给予足够的重视同性恋性行为，同性恋者如何理解性的亲密关系之外的异质/ homonormative框架，更重要的是，有什么差异性关系性的观念巩固...的底部这些经验和做法。这种贡献体现了可视化，理论上基础的方法的轨迹读艺术，其中barebacking和同性恋亚文化巡航的做法引发了卡拉瓦乔的转换的途中大马士革阅读，反过来，读经文（使徒行传9）在激进的招待差异性条款。Barebacking和巡航在酷儿次文化记录性的做法提供了一个框架，了解卡拉瓦乔的作品作为一个神学源和经文的解释。